Each sculpture is carved directly into graphite pencil lead, a deliberately unstable medium that cannot be replicated or restored, and is approached as a sculptural practice rather than a technical exercise. What remains is not a demonstration of scale, but a record of time, restraint, and precision under risk.
Big Top, 2024
Graphite on wood pencil
Unique work
Great Wall Zephyr, 2023
Graphite on wood pencil
Unique work
Thundering Herd, 2024
Graphite on wood pencil
Unique work
The Agony and the Ecstasy, 2024
Graphite on wood pencil
Unique work
This body of work is executed at a scale where structural failure is constant and irreversible.
Each sculpture is carved without the possibility of correction, reproduction, or restoration.
Survival is the exception, not the expectation.
Origins
The first work at this scale established the constraints that continue to define the series. What began as a single experiment became a sustained practice centered on risk, endurance, and precision under permanent loss.
The Viral Express, 2015
Graphite on wood pencil
Unique work
A small window into the process behind the work, included to offer context for the patience, focus, and fragility involved.
Selected Recognition
This body of work has been featured internationally in digital and broadcast media, including This Is Colossal, Bored Panda, and related publications.
Acquisition
Selected works are available through private inquiry and curated exhibitions.